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  <id>tag:dreamwidth.org,2017-04-14:3071550</id>
  <title>Writing Excuses Transcripts</title>
  <subtitle>Writing Excuses Transcripts</subtitle>
  <author>
    <name>Writing Excuses Transcripts</name>
  </author>
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  <updated>2011-02-06T17:05:00Z</updated>
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  <entry>
    <id>tag:dreamwidth.org,2017-04-14:3071550:11826</id>
    <author>
      <name>ext_88293</name>
    </author>
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    <title>Writing Excuses 2-7: Using Writing Formulas</title>
    <published>2011-02-06T17:05:00Z</published>
    <updated>2011-02-06T17:05:00Z</updated>
    <category term="idiot plot"/>
    <category term="formulas"/>
    <category term="patterns"/>
    <category term="cliches"/>
    <category term="plot"/>
    <category term="characters"/>
    <dw:music>Do You Hear What I Hear, Carrie Underwood</dw:music>
    <dw:mood>formulaic</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Posted by: &lt;span lj:user='mbarker.livejournal.com' style='white-space: nowrap;' class='ljuser'&gt;&lt;a href='https://www.dreamwidth.org/profile?userid=92151&amp;amp;t=I'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/openid.png' alt='[identity profile] ' width='16' height='16' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://mbarker.livejournal.com/' rel='nofollow'&gt;&lt;b&gt;mbarker.livejournal.com&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Writing Excuses Season Two Episode Seven: Using Writing Formulas With Bob Defendi&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.writingexcuses.com/2008/11/23/writing-excuses-season-2-episode-7-using-writing-formulas-with-bob-defendi/"&gt;http://www.writingexcuses.com/2008/11/23/writing-excuses-season-2-episode-7-using-writing-formulas-with-bob-defendi/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Key points: Formulas are the basic patterns that we use in stories all the time. Cliches are formulas that have been done the same way a million times already. When the formula drives the characters, you have an idiot plot. Throw out your first ideas, because they've been done before -- and around your fourth or fifth idea, you will start to come up with something that will surprise your audience. Let the story flow from the characters. Don't allow your characters to be slaves to plot, make it the other way around.&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://wetranscripts.dreamwidth.org/11826.html#cutid1"&gt;more yackity-yack&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;[Howard] Tune in next week when you'll hear Bob Defendi say...&lt;br /&gt;[Bob] That's not my thermometer.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=wetranscripts&amp;ditemid=11826" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2017-04-14:3071550:11329</id>
    <author>
      <name>ext_88293</name>
    </author>
    <dw:poster user="ext_88293"/>
    <link rel="alternate" type="text/html" href="https://wetranscripts.dreamwidth.org/11329.html"/>
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    <title>Writing Excuses 5.22: Film Considerations [with annotations!]</title>
    <published>2011-02-05T14:37:00Z</published>
    <updated>2011-02-05T14:37:00Z</updated>
    <category term="climax"/>
    <category term="characters"/>
    <category term="films"/>
    <category term="problems"/>
    <category term="three act structure"/>
    <category term="emotional impact"/>
    <category term="movies"/>
    <category term="annotations"/>
    <category term="tagline"/>
    <category term="complications"/>
    <category term="patterns"/>
    <category term="formulas"/>
    <category term="setting"/>
    <category term="conflicts"/>
    <dw:mood>pixels</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Posted by: &lt;span lj:user='mbarker.livejournal.com' style='white-space: nowrap;' class='ljuser'&gt;&lt;a href='https://www.dreamwidth.org/profile?userid=92151&amp;amp;t=I'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/openid.png' alt='[identity profile] ' width='16' height='16' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://mbarker.livejournal.com/' rel='nofollow'&gt;&lt;b&gt;mbarker.livejournal.com&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Writing Excuses 5.22: Film Considerations [with annotations!]&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.writingexcuses.com/2011/01/30/writing-excuses-5-22-film-considerations/"&gt;http://www.writingexcuses.com/2011/01/30/writing-excuses-5-22-film-considerations/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And special YouTube version at &lt;a href="http://www.youtube.com/watch?v=-wJ_3sqyG6g"&gt;http://www.youtube.com/watch?v=-wJ_3sqyG6g&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Key Points: Formulas or patterns can be used for many things IF you understand why they work. Three act structure: introduce characters, setting, and problems. Then add complications. Resolve everything in the climax. If you want your story to map to a 90 minute movie, keep it lean. Know what your story is about, what you are trying to say. Think of a logline/tagline: what is the essence of your story in 8 words? The closer the events of the climax in time, the higher the emotional impact -- don't spread your resolutions out over several chapters, put them all in one. Beware the shootout, the chase, the tail end flurry that's there just to end with a bang. Make sure there is foreshadowing, motivation, and emotional movement, not just fireworks. Give the chicken a reason for crossing the road. Don't settle for a student filmmaker -- check their credits, and get the money up front. &lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://wetranscripts.dreamwidth.org/11329.html#cutid1"&gt;Watch out!&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;[Dan] That's true. All right. So we're just going to make Mary do this. Give us a writing prompt.&lt;br /&gt;[Howard] Writing prompt.&lt;br /&gt;[Mary] So your writing prompt... thank you for the warning.&lt;br /&gt;[Dan] That's our favorite thing to do to people.&lt;br /&gt;[Dave] Put you on the spot.&lt;br /&gt;[Mary] Your writing prompt is that you need to come up with a tagline for your novel, your short story, or something that you would like to write but have not yet written. Eight words or less.&lt;br /&gt;[Dan] Sounds good.&lt;br /&gt;[Howard] A tagline. All right. Well, this has been Writing Excuses. Thank you for listening. YouTube fans, let's all camp to the camera and wave. [Everyone turns to the camera, smiles, and waves] [End of podcast. YouTube continues] Thank you for watching. You're out of excuses. Now go write.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=wetranscripts&amp;ditemid=11329" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2017-04-14:3071550:8553</id>
    <author>
      <name>ext_88293</name>
    </author>
    <dw:poster user="ext_88293"/>
    <link rel="alternate" type="text/html" href="https://wetranscripts.dreamwidth.org/8553.html"/>
    <link rel="self" type="text/xml" href="https://wetranscripts.dreamwidth.org/data/atom/?itemid=8553"/>
    <title>Writing Excuses 5.22: Film Considerations</title>
    <published>2011-02-02T14:10:00Z</published>
    <updated>2011-02-02T14:10:00Z</updated>
    <category term="three act structure"/>
    <category term="movies"/>
    <category term="emotional impact"/>
    <category term="films"/>
    <category term="characters"/>
    <category term="climax"/>
    <category term="problems"/>
    <category term="complications"/>
    <category term="conflicts"/>
    <category term="formulas"/>
    <category term="setting"/>
    <category term="patterns"/>
    <category term="tagline"/>
    <dw:mood>luddite</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Posted by: &lt;span lj:user='mbarker.livejournal.com' style='white-space: nowrap;' class='ljuser'&gt;&lt;a href='https://www.dreamwidth.org/profile?userid=92151&amp;amp;t=I'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/openid.png' alt='[identity profile] ' width='16' height='16' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://mbarker.livejournal.com/' rel='nofollow'&gt;&lt;b&gt;mbarker.livejournal.com&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Writing Excuses 5.22: Film Considerations&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.writingexcuses.com/2011/01/30/writing-excuses-5-22-film-considerations/"&gt;http://www.writingexcuses.com/2011/01/30/writing-excuses-5-22-film-considerations/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And special YouTube version at &lt;a href="http://www.youtube.com/watch?v=-wJ_3sqyG6g"&gt;http://www.youtube.com/watch?v=-wJ_3sqyG6g&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Key Points: Formulas or patterns can be used for many things IF you understand why they work. Three act structure: introduce characters, setting, and problems. Then add complications. Resolve everything in the climax. If you want your story to map to a 90 minute movie, keep it lean. Know what your story is about, what you are trying to say. Think of a logline/tagline: what is the essence of your story in 8 words? The closer the events of the climax in time, the higher the emotional impact -- don't spread your resolutions out over several chapters, put them all in one. Beware the shootout, the chase, the tail end flurry that's there just to end with a bang. Make sure there is foreshadowing, motivation, and emotional movement, not just fireworks. Give the chicken a reason for crossing the road. Don't settle for a student filmmaker -- check their credits, and get the money up front. &lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://wetranscripts.dreamwidth.org/8553.html#cutid1"&gt;Meanwhile, behind the cameras, we hear...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;[Dan] That's true. All right. So we're just going to make Mary do this. Give us a writing prompt.&lt;br /&gt;[Howard] Writing prompt.&lt;br /&gt;[Mary] So your writing prompt... thank you for the warning.&lt;br /&gt;[Dan] That's our favorite thing to do to people.&lt;br /&gt;[Dave] Put you on the spot.&lt;br /&gt;[Mary] Your writing prompt is that you need to come up with a tagline for your novel, your short story, or something that you would like to write but have not yet written. Eight words or less.&lt;br /&gt;[Dan] Sounds good.&lt;br /&gt;[Howard] A tagline. All right. Well, this has been Writing Excuses. Thank you for listening. YouTube fans, let's all camp to the camera and wave. [End of podcast. YouTube continues] Thank you for watching. You're out of excuses. Now go write.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=wetranscripts&amp;ditemid=8553" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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