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  <id>tag:dreamwidth.org,2017-04-14:3071550</id>
  <title>Writing Excuses Transcripts</title>
  <subtitle>Writing Excuses Transcripts</subtitle>
  <author>
    <name>Writing Excuses Transcripts</name>
  </author>
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  <updated>2012-05-22T14:12:00Z</updated>
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  <entry>
    <id>tag:dreamwidth.org,2017-04-14:3071550:59415</id>
    <author>
      <name>ext_88293</name>
    </author>
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    <title>Writing Excuses 7.21: Project in Depth -- Force Multiplication</title>
    <published>2012-05-22T14:12:00Z</published>
    <updated>2012-05-22T14:12:00Z</updated>
    <category term="settings"/>
    <category term="plot"/>
    <category term="interesting"/>
    <category term="characters"/>
    <category term="problems"/>
    <dw:mood>you know</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Posted by: &lt;span lj:user='mbarker.livejournal.com' style='white-space: nowrap;' class='ljuser'&gt;&lt;a href='https://www.dreamwidth.org/profile?userid=92151&amp;amp;t=I'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/openid.png' alt='[identity profile] ' width='16' height='16' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://mbarker.livejournal.com/' rel='nofollow'&gt;&lt;b&gt;mbarker.livejournal.com&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Writing Excuses 7.21: Project in Depth -- Force Multiplication&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.writingexcuses.com/2012/05/20/writing-excuses-7-21-project-in-depth-force-multiplication/"&gt;http://www.writingexcuses.com/2012/05/20/writing-excuses-7-21-project-in-depth-force-multiplication/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Key Points: Why are you telling this story? How do you pick the characters? How do your characters solve problems? How do you choose the setting? How do you name things? How do you balance exploring characters and plot? How do you make it interesting? How does this hurt people? Who gets hurt? Why? How do they respond?&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://wetranscripts.dreamwidth.org/59415.html#cutid1"&gt;Answers!&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;[Brandon] All right. Your writing prompt this week is actually to do this with your own work. Have your friends sit down and interview you about something you're working on and about your process. Hopefully you will become more conscious of how you approach your writing. Which is one of our big goals as Writing Excuses podcasters, is to get you to think about that. All right? So, this has been Writing Excuses. You're out of excuses, now go write.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=wetranscripts&amp;ditemid=59415" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2017-04-14:3071550:25023</id>
    <author>
      <name>ext_88293</name>
    </author>
    <dw:poster user="ext_88293"/>
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    <title>Writing Excuses Season Three Episode 23: How to Write without Twists</title>
    <published>2011-02-19T13:37:00Z</published>
    <updated>2011-02-19T13:37:00Z</updated>
    <category term="plot twists"/>
    <category term="stakes"/>
    <category term="satisfaction"/>
    <category term="subplots"/>
    <category term="problems"/>
    <category term="obstacles"/>
    <category term="characters"/>
    <category term="progress"/>
    <category term="shyamalan"/>
    <category term="conflict"/>
    <category term="straight stories"/>
    <dw:mood>breezy</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Posted by: &lt;span lj:user='mbarker.livejournal.com' style='white-space: nowrap;' class='ljuser'&gt;&lt;a href='https://www.dreamwidth.org/profile?userid=92151&amp;amp;t=I'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/openid.png' alt='[identity profile] ' width='16' height='16' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://mbarker.livejournal.com/' rel='nofollow'&gt;&lt;b&gt;mbarker.livejournal.com&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Writing Excuses Season Three Episode 23: How to Write without Twists&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.writingexcuses.com/2009/11/01/writing-excuses-season-3-episode-23-how-to-write-without-twists/"&gt;http://www.writingexcuses.com/2009/11/01/writing-excuses-season-3-episode-23-how-to-write-without-twists/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Key points: Simple surprises and obstacles are not plot twists. Watching engaging characters overcome real problems is satisfying. Watching characters make progress is satisfying. Stories without twists often have strong setups with very clear conflicts and high stakes. Even stories with major plot twists often have straight-forward subplots.&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://wetranscripts.dreamwidth.org/25023.html#cutid1"&gt;The Peppermint Twist?&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;[Brandon] Let's do a writing prompt before this spirals completely into insanity.&lt;br /&gt;[Jordo] Is it going to be Jane Austen and Diehard?&lt;br /&gt;[Brandon] No.&lt;br /&gt;[Dan] No?&lt;br /&gt;[Howard] It can't be Pride and Prejudice and zombies, either, because that's been done.&lt;br /&gt;[Dan] It's going to be Sense and Sensibility and terrorists.&lt;br /&gt;[Brandon] You have lots of excuses why you are not going to write, but we're going to pretend you don't. Thanks for listening. This has been Writing Excuses.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=wetranscripts&amp;ditemid=25023" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2017-04-14:3071550:11329</id>
    <author>
      <name>ext_88293</name>
    </author>
    <dw:poster user="ext_88293"/>
    <link rel="alternate" type="text/html" href="https://wetranscripts.dreamwidth.org/11329.html"/>
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    <title>Writing Excuses 5.22: Film Considerations [with annotations!]</title>
    <published>2011-02-05T14:37:00Z</published>
    <updated>2011-02-05T14:37:00Z</updated>
    <category term="conflicts"/>
    <category term="patterns"/>
    <category term="emotional impact"/>
    <category term="tagline"/>
    <category term="problems"/>
    <category term="setting"/>
    <category term="characters"/>
    <category term="movies"/>
    <category term="climax"/>
    <category term="annotations"/>
    <category term="complications"/>
    <category term="films"/>
    <category term="three act structure"/>
    <category term="formulas"/>
    <dw:mood>pixels</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Posted by: &lt;span lj:user='mbarker.livejournal.com' style='white-space: nowrap;' class='ljuser'&gt;&lt;a href='https://www.dreamwidth.org/profile?userid=92151&amp;amp;t=I'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/openid.png' alt='[identity profile] ' width='16' height='16' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://mbarker.livejournal.com/' rel='nofollow'&gt;&lt;b&gt;mbarker.livejournal.com&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Writing Excuses 5.22: Film Considerations [with annotations!]&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.writingexcuses.com/2011/01/30/writing-excuses-5-22-film-considerations/"&gt;http://www.writingexcuses.com/2011/01/30/writing-excuses-5-22-film-considerations/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And special YouTube version at &lt;a href="http://www.youtube.com/watch?v=-wJ_3sqyG6g"&gt;http://www.youtube.com/watch?v=-wJ_3sqyG6g&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Key Points: Formulas or patterns can be used for many things IF you understand why they work. Three act structure: introduce characters, setting, and problems. Then add complications. Resolve everything in the climax. If you want your story to map to a 90 minute movie, keep it lean. Know what your story is about, what you are trying to say. Think of a logline/tagline: what is the essence of your story in 8 words? The closer the events of the climax in time, the higher the emotional impact -- don't spread your resolutions out over several chapters, put them all in one. Beware the shootout, the chase, the tail end flurry that's there just to end with a bang. Make sure there is foreshadowing, motivation, and emotional movement, not just fireworks. Give the chicken a reason for crossing the road. Don't settle for a student filmmaker -- check their credits, and get the money up front. &lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://wetranscripts.dreamwidth.org/11329.html#cutid1"&gt;Watch out!&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;[Dan] That's true. All right. So we're just going to make Mary do this. Give us a writing prompt.&lt;br /&gt;[Howard] Writing prompt.&lt;br /&gt;[Mary] So your writing prompt... thank you for the warning.&lt;br /&gt;[Dan] That's our favorite thing to do to people.&lt;br /&gt;[Dave] Put you on the spot.&lt;br /&gt;[Mary] Your writing prompt is that you need to come up with a tagline for your novel, your short story, or something that you would like to write but have not yet written. Eight words or less.&lt;br /&gt;[Dan] Sounds good.&lt;br /&gt;[Howard] A tagline. All right. Well, this has been Writing Excuses. Thank you for listening. YouTube fans, let's all camp to the camera and wave. [Everyone turns to the camera, smiles, and waves] [End of podcast. YouTube continues] Thank you for watching. You're out of excuses. Now go write.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=wetranscripts&amp;ditemid=11329" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2017-04-14:3071550:8553</id>
    <author>
      <name>ext_88293</name>
    </author>
    <dw:poster user="ext_88293"/>
    <link rel="alternate" type="text/html" href="https://wetranscripts.dreamwidth.org/8553.html"/>
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    <title>Writing Excuses 5.22: Film Considerations</title>
    <published>2011-02-02T14:10:00Z</published>
    <updated>2011-02-02T14:10:00Z</updated>
    <category term="complications"/>
    <category term="films"/>
    <category term="three act structure"/>
    <category term="formulas"/>
    <category term="conflicts"/>
    <category term="emotional impact"/>
    <category term="patterns"/>
    <category term="tagline"/>
    <category term="problems"/>
    <category term="setting"/>
    <category term="characters"/>
    <category term="movies"/>
    <category term="climax"/>
    <dw:mood>luddite</dw:mood>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">Posted by: &lt;span lj:user='mbarker.livejournal.com' style='white-space: nowrap;' class='ljuser'&gt;&lt;a href='https://www.dreamwidth.org/profile?userid=92151&amp;amp;t=I'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/openid.png' alt='[identity profile] ' width='16' height='16' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://mbarker.livejournal.com/' rel='nofollow'&gt;&lt;b&gt;mbarker.livejournal.com&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Writing Excuses 5.22: Film Considerations&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.writingexcuses.com/2011/01/30/writing-excuses-5-22-film-considerations/"&gt;http://www.writingexcuses.com/2011/01/30/writing-excuses-5-22-film-considerations/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;And special YouTube version at &lt;a href="http://www.youtube.com/watch?v=-wJ_3sqyG6g"&gt;http://www.youtube.com/watch?v=-wJ_3sqyG6g&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Key Points: Formulas or patterns can be used for many things IF you understand why they work. Three act structure: introduce characters, setting, and problems. Then add complications. Resolve everything in the climax. If you want your story to map to a 90 minute movie, keep it lean. Know what your story is about, what you are trying to say. Think of a logline/tagline: what is the essence of your story in 8 words? The closer the events of the climax in time, the higher the emotional impact -- don't spread your resolutions out over several chapters, put them all in one. Beware the shootout, the chase, the tail end flurry that's there just to end with a bang. Make sure there is foreshadowing, motivation, and emotional movement, not just fireworks. Give the chicken a reason for crossing the road. Don't settle for a student filmmaker -- check their credits, and get the money up front. &lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://wetranscripts.dreamwidth.org/8553.html#cutid1"&gt;Meanwhile, behind the cameras, we hear...&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;[Dan] That's true. All right. So we're just going to make Mary do this. Give us a writing prompt.&lt;br /&gt;[Howard] Writing prompt.&lt;br /&gt;[Mary] So your writing prompt... thank you for the warning.&lt;br /&gt;[Dan] That's our favorite thing to do to people.&lt;br /&gt;[Dave] Put you on the spot.&lt;br /&gt;[Mary] Your writing prompt is that you need to come up with a tagline for your novel, your short story, or something that you would like to write but have not yet written. Eight words or less.&lt;br /&gt;[Dan] Sounds good.&lt;br /&gt;[Howard] A tagline. All right. Well, this has been Writing Excuses. Thank you for listening. YouTube fans, let's all camp to the camera and wave. [End of podcast. YouTube continues] Thank you for watching. You're out of excuses. Now go write.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=wetranscripts&amp;ditemid=8553" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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