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  <id>tag:dreamwidth.org,2017-04-14:3071550</id>
  <title>Writing Excuses Transcripts</title>
  <subtitle>Writing Excuses Transcripts</subtitle>
  <author>
    <name>Writing Excuses Transcripts</name>
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  <updated>2011-02-16T20:30:00Z</updated>
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  <entry>
    <id>tag:dreamwidth.org,2017-04-14:3071550:20891</id>
    <author>
      <name>ext_88293</name>
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    <title>Writing Excuses Season Three Episode Eight: What Star Trek Did Right</title>
    <published>2011-02-16T20:30:00Z</published>
    <updated>2011-02-16T20:30:00Z</updated>
    <category term="science fiction"/>
    <category term="kirk"/>
    <category term="genre twisting"/>
    <category term="watson"/>
    <category term="cabbage head character"/>
    <category term="mccoy"/>
    <category term="star trek"/>
    <category term="spock"/>
    <category term="character development"/>
    <category term="learning curve"/>
    <category term="character climaxes"/>
    <dw:mood>antiqued</dw:mood>
    <dw:security>public</dw:security>
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    <content type="html">Posted by: &lt;span lj:user='mbarker.livejournal.com' style='white-space: nowrap;' class='ljuser'&gt;&lt;a href='https://www.dreamwidth.org/profile?userid=92151&amp;amp;t=I'&gt;&lt;img src='https://www.dreamwidth.org/img/silk/identity/openid.png' alt='[identity profile] ' width='16' height='16' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://mbarker.livejournal.com/' rel='nofollow'&gt;&lt;b&gt;mbarker.livejournal.com&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Writing Excuses Season Three Episode Eight: What Star Trek Did Right&lt;br /&gt;&lt;br /&gt;From &lt;a href="http://www.writingexcuses.com/2009/07/20/writing-excuses-season-3-episode-8-what-star-trek-did-right/"&gt;http://www.writingexcuses.com/2009/07/20/writing-excuses-season-3-episode-8-what-star-trek-did-right/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Key points: If you are going to twist a genre or bend expectations for a surprise, do it early. Character climaxes resonate with audiences. A cabbage head character, a Watson, a naive person can help readers learn. Use hooks to help readers identify the characters, but character development to help them identify with them. Characters in conflict with themselves can be fascinating. Paired arcs can cross and support each other. A prosaic setting can help non-science-fiction readers get oriented fast. Use the setting to provide subtle hints to the passage of time. Spock is not a rooster.&lt;br /&gt;&lt;span class="cut-wrapper"&gt;&lt;span style="display: none;" id="span-cuttag___1" class="cuttag"&gt;&lt;/span&gt;&lt;b class="cut-open"&gt;(&amp;nbsp;&lt;/b&gt;&lt;b class="cut-text"&gt;&lt;a href="https://wetranscripts.dreamwidth.org/20891.html#cutid1"&gt;Behind the crossed spaceships&lt;/a&gt;&lt;/b&gt;&lt;b class="cut-close"&gt;&amp;nbsp;)&lt;/b&gt;&lt;/span&gt;&lt;div style="display: none;" id="div-cuttag___1" aria-live="assertive"&gt;&lt;/div&gt;&lt;br /&gt;[Just the writing prompt]&lt;br /&gt;[Howard] I don't want to give people a Star Trek writing prompt. No, that's good. Start with iconic Kirk, Spock, and McCoy. Start with those iconic characters and then make them your own characters with their own justifications. Spock cannot be an elf... or a rooster. Now you're out of excuses. Go write.&lt;br /&gt;&lt;br /&gt;&lt;img src="https://www.dreamwidth.org/tools/commentcount?user=wetranscripts&amp;ditemid=20891" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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