Writing Excuses Transcripts

Writing Excuses 11.24: Stakes!

Wed, 15 Jun 2016 11:16:00 GMT

Posted by: mbarker.livejournal.com

Writing Excuses 11.24: Stakes!

From http://www.writingexcuses.com/2016/06/12/11-24-stakes/

Key Points: Raise the stakes does not mean make it more world shattering. What are stakes? Things that keep your characters from walking away from conflicts. What keeps people fighting when they have conflicting goals? What is important enough to keep them in the game? Often, the difference between a hero and a villian is the magnitude and type of stakes they are fighting over. To raise the stakes, don't add more villians or explosions, make it more personal for the main character. The destruction of the galaxy? Who cares? Saving the life of a friend? We're with y'a! Make it personal, and make the audience care. Get into the character's head and show us why it matters, what motivates them. Be aware, we can empathize with a villian, or with thieves in a heist. Consider likability, competency, and proactivity! Build engagement with character sliders. Don't forget selflessness and sacrifice as ways to build empathy. The Cornwell trick? Establish two sets of stakes, put them in conflict, and let the main character sacrifice personal gain for greater good. Revenge stories and other selfish tales often use the B plot to get readers engaged. Or proactivity, especially with something that just won't quit getting in the way.

( Rare? Medium well? No, no, stake him... )

[Brandon] All right. Let's go ahead and do a writing prompt. Mary, you have a writing prompt for us.
[Mary] Yeah. So I've been doing this thing where I write a story in 15 minutes for charity. I start it based on three things. An object, a character, and a genre. So. Listener. Look to your left. That is your object.
[Chuckles]
[Mary] Look at the bookshelf. The first book you see, that is your genre. And your character is your best friend. Now write a story for 15 minutes.
[Brandon] This has been Writing Excuses. You're out of excuses, now go write.

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Writing Excuses Season Three Episode 29: Antiheroes

Sun, 20 Feb 2011 17:51:00 GMT

Posted by: mbarker.livejournal.com

Writing Excuses Season Three Episode 29: Antiheroes

From http://www.writingexcuses.com/2009/12/20/writing-excuses-season-3-episode-29-antiheroes/

Key Points: Antiheroes come in many flavors, including Frodo, Punisher, and the Talented Mister Ripley. Frodos are heroes, except they fail. Punishers do evil for good purposes. Talented Mister Ripley's are unsympathetic, unheroic, horrible. Sympathetic villains are not antiheroes, nor are heroes with a steep character arc. Heroes are like Christmas Day, and you wish it could last all year. Classical antiheroes are like olde Halloween, you never ever want to be like that, but it's stilll fascinating. Punisher antiheroes are more like modern Halloween, with cool costumes and candy from the neighbors. If you plan to write an antihero story, think about which kind you are writing and what will keep people turning pages.
( Inside the jack-o'-lantern )
[Brandon] Your writing prompt is going to be to write a true classical antihero and make it fun for Howard.
[Howard] I don't actually have to read what they write, do I?
[Dan] Yes, you do. And you have to grade them.
[Brandon] And you have to eat dinner at their house.
[Dan] And you have to dress up as a clown for their first date.
[Howard] All right. Schlock mercenary at gmail dot com. Go ahead and send me...
[Brandon] I want you guys to do this.
[Howard] Oh, dear.
[Brandon] This has been Writing Excuses. You're out of excuses, now go write.
[Howard] Something awful.
[Brandon] [laughter and then choking...]

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Writing Excuses Season Two Episode Three: Characters with Brandon Mull

Sat, 05 Feb 2011 13:41:00 GMT

Posted by: mbarker.livejournal.com

Writing Excuses Season Two Episode Three: Characters with Brandon Mull

http://www.writingexcuses.com/2008/10/27/writing-excuses-season-2-episode-3-characters-with-brandon-mull/

Key points: make your characters feel real by understanding them. What are their personality quirks? What do they want? Quirks that are a little bit extreme help make the illusion real. Ask yourself, "Why can't this character fill this role?" Design imperfect characters who are interesting in that slot in your story. Know the three act format and remember that real heroes always fail twice (at least) before they succeed.
( Much ado )

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