Writing Excuses 7.19: Q & A at UVU
May. 8th, 2012 02:32 pm![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
Writing Excuses 7.19: Q & A at UVU
From http://www.writingexcuses.com/2012/05/06/writing-excuses-7-19-qa-at-uvu/
Key Points:
Q: Why do books in a series become different as they go along?
A: Characters, stories, and stakes change. The writer grows.
Q: How do you approach the paragraph?
A: Each paragraph has a mini-arc, beginning, middle, end. Use topic sentences.
Q: When do you start thinking about a prequel?
A: When the backstory deserves it. But beginning writers should stick to in-late, out-early.
Q: How do you plot?
A: [James] Premise, brainstorming major events, major plot twists, and then I get so excited that I start writing. [Brandon] I write a little bit. Something sparks, is exciting, and I write that scene. Then I look at where do I go from this, what is a great ending, what's exciting about it, and work backwards to the start.
Q: How do you craft endings that are highly satisfying and leave the reader wanting more?
A: Answer all the questions set up in the beginning, then raise a new question. People live before and after the story -- point to that.
Q: How do you keep a really compelling and convincing villain from taking over the book?
A: Make the hero more proactive. Make sure the hero has a great scheme to achieve something awesome, so they are doing things, not just waiting to respond to the villain.
( The details... )
[James] Okay. One day, you have a bunch of crazy people come to your house and kidnap you, and put you at a place called... It's an asylum for the criminally sane. [Laughter]
( cutting out )
From http://www.writingexcuses.com/2012/05/06/writing-excuses-7-19-qa-at-uvu/
Key Points:
Q: Why do books in a series become different as they go along?
A: Characters, stories, and stakes change. The writer grows.
Q: How do you approach the paragraph?
A: Each paragraph has a mini-arc, beginning, middle, end. Use topic sentences.
Q: When do you start thinking about a prequel?
A: When the backstory deserves it. But beginning writers should stick to in-late, out-early.
Q: How do you plot?
A: [James] Premise, brainstorming major events, major plot twists, and then I get so excited that I start writing. [Brandon] I write a little bit. Something sparks, is exciting, and I write that scene. Then I look at where do I go from this, what is a great ending, what's exciting about it, and work backwards to the start.
Q: How do you craft endings that are highly satisfying and leave the reader wanting more?
A: Answer all the questions set up in the beginning, then raise a new question. People live before and after the story -- point to that.
Q: How do you keep a really compelling and convincing villain from taking over the book?
A: Make the hero more proactive. Make sure the hero has a great scheme to achieve something awesome, so they are doing things, not just waiting to respond to the villain.
[James] Okay. One day, you have a bunch of crazy people come to your house and kidnap you, and put you at a place called... It's an asylum for the criminally sane. [Laughter]