[identity profile] mbarker.livejournal.com
Writing Excuses 10.51: Q&A On Sharing Your Work, with Daniel Jose Older

From http://www.writingexcuses.com/2015/12/20/writing-excuses-10-51-qa-on-showing-your-work-with-daniel-jose-older/

Q&A Summary:
Q: What's the best way to meet editors and agents at conventions?
A: Hang out at the bar. Panels! Listen, then talk. Let them bring up business. Ask what they are working on. Do your homework first -- find out who is going to be there, what they've worked on. Don't try to do the whole pitch in person. Get their card and ask if you can send something.
Q: How do you write a query letter?
A: Clear, concises, and precise. What is your story, who are you? One page! Character, conflict, setting, hook. One cool concept that makes people want to know more. What are you most excited about? If it is urban fantasy, make sure it says, "Someone is killing all the were-pigeons."
Q: Should I mention my freelance articles? What do you mention as credentials in a query letter?
A: Legitimate credentials, a little bit about yourself, and mostly about the story. Present it correctly. Relevent credentials. Bio is over-thought and least important. Slim bio is okay.
Q: What about self-publishing?
A: Not covered here. Will try to get a podcast about it.
Q: Can you submit to more than one publisher or agent at the same time?
A: If they don't say No Simultaneous Submissions. Queries, even sample chapters, may be simultaneous. But full submissions, read the instructions.
Q: After you have made revisions, can you resubmit to an agent who rejected you?
A: Send them a query, but probably not. Unless they asked for the revisions.
[Note: There's a lot more stuff in there! Read the transcript for details!]
Questions, answers, and more! )
[Mary] To do that, I have some homework for you. You need to write a query letter. What I want you to do is this. This is your basic format. You're going to have an introduction paragraph. Then you're going to have a summary of your novel paragraph. Then you're going to have a tiny paragraph that is relevant biographical information about yourself. Which can just be this is my name. It can be very, very short. But I want you to do this twice. The first time, I want you to write that summary for a book that you love that is not the book that you wrote. So that you are thinking about the things that Howard mentioned, character, conflict, setting, hook, with someone else's work. Then I want you to apply that, those lessons to your own work. Write the query, the summary, as if it is a book that you love that someone else has written. Because it will help you to get focused on it and not quite be so flaily and trying to describe all of it all at the same time.
[Brandon] All right. This has been Writing Excuses. You're out of excuses. Now go write.
[identity profile] mbarker.livejournal.com
Writing Excuses 6.8: What Does an Agent Really Do?

From http://www.writingexcuses.com/2011/07/24/writing-excuses-6-8-what-an-agent-does/

Key points: What do agents do? Everything! "All the stuff that I don't want to do, so that I can write what she does all the business stuff." Revisions, target submission list, submissions, auctions, negotiations, contracts...
a handshake and a prayer? )
[Dan] Howard, give us a writing prompt.
[Howard] Okay. Writing prompt. Your agent is actually a warlock, using magic to make your books sell. This has worked in numerous cases for numerous other clients. Unfortunately, something about your book means that this process is going to go horribly, horribly wrong.
[Dan] You're out of excuses, now go write.
[identity profile] mbarker.livejournal.com
Writing Excuses 5.29: Rewriting

From http://www.writingexcuses.com/2011/03/20/writing-excuses-5-29-rewriting/

Key points: Your first draft, often, you're trying to find your story. You need to learn how to rewrite to greatness. Start with a high-level triage edit. What's broken and needs to be fixed? What needs to be added? What needs to be taken out? Fix the major problems first. If possible, set it aside and let it cool. Second, do a shotgun edit -- read through and look for anything that needs to be improved. Look for general problems. Third, take a character-by-character look to check consistency of voice, description, etc. You may have several more edits, but you also need to get fresh eyes on it. Let someone else read it. You may be surprised at what you left out.
a live studio audience )
[Dan] All right. Well, I think that we are done with this episode. So this time, we're going to throw the surprise writing prompt at Dave.
[Dave] OK. The writing prompt this week will have to do with rewriting. I want you to take the climax of your story and really look at it. Say, "Do I have all the necessary scenes leading up to this climax to create it so that it's emotionally powerful? What did I leave out?" Find out what you left out of your story. You've almost always left something out.
[Dan] All right. You are out of excuses, now go write.
[identity profile] mbarker.livejournal.com
Writing Excuses Season Four Episode Eight: Working with Editors

From http://www.writingexcuses.com/2010/02/28/writing-excuses-4-8-working-with-editors/

Key points: New authors worry about editors demanding cuts that threaten artistic integrity, or being asked to add in sex and violence. However, editors buy a book because they like it, not to fix it. They usually tell you before buying what their vision of the book is, and you don't have to agree. They may suggest that you've established a certain type of book, and that you cut or add things to match that. Relationships with editors are a dialogue, where you can talk it through. Publishing houses and editors will ask for changes. Your job is to think about them and decide whether or not to do them. Look for an editor with a vision that is consistent with yours. Talk to the editor before you sign the contract about what you are willing to sacrifice, what you're willing to cut or add to get published. BUT don't worry too much about this. Editors buy books because they like them, because they agree with the vision of the book -- not to torture writers. Consider it, plan on working with an editor, and write.
Undoing the clean rating... )
[Brandon] All right. Can we have a writing prompt? Let's have you write a story about a time where an author and editor disagree about something that no one else would ever disagree about. This has been Writing Excuses. You're out of excuses, now go write.
[identity profile] mbarker.livejournal.com
Writing Excuses #12: Submitting to the Editors Part 1

From

http://www.writingexcuses.com/2008/04/27/writing-excuses-episode-12-submitting-to-editors-part-1/

Stacy Whitman, Not Howard
Lots of little stuff )
Just before the break, someone (Dan?) said: Know the rules before you break them.

The second part of this will be in Writing Excuses #13.

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