[identity profile] mbarker.livejournal.com
Writing Excuses 12.10: Developing Your Own, Personal Style

From http://www.writingexcuses.com/2017/03/05/12-10-developing-your-own-personal-style/

Key Points: Voice or style comes in three flavors: mechanical, aesthetic, and personal. We need to learn to trust our personal style. But don't worry about it? You probably won't know you have it, even if everyone else can see it. When you try to mimic someone else's style, you mostly mimic aesthetic voice. Personal voice is in part word choice, but beyond that, what you choose to talk about and how you talk about it. Even a transparent or translucent prose style can be a personal style! Overriding copyeditors may be part of your personal style. But beware of overrunning character styles with your personal style.
Haircuts, some makeup... )

[Brandon] Dan, you have our homework this week.
[Dan] Yes. So, one of the ways that you can start to identify what your own voice is, is to take something written by somebody else, and… Ideally, this would be something you don't like. So a book that you didn't really enjoy or whatever. Because you want to fix it. It feels wrong to you, it feels awkward. I want you to take that, and then rewrite it, and rewrite it in a way, going back to what Mary was saying earlier, where the main character is you, or someone very like you. Someone from your background. To make sure that it is really your voice coming through, in the narration or the dialogue or however you want to do it. Then, once you've done that rewrite, you'll have a chance to see, "Oh, that obviously came from me, because it wasn't in the original."

[Mary] So, hey. I just wanted to add one thing that we skimmed past in this episode. We mentioned the #ownvoices movement and we didn't actually explain what that was. The #ownvoices movement is a movement that was begun with a hashtag started by Corinne Duyvis... Duyvis, excuse me. The idea was that people who have a lived life experience… That if you're looking for a book about a disabled person, that you should buy a book that's written by a disabled person. If you're looking for a book about an African-American person, you should buy a book written by an African-American person. And that sometimes people can get displaced because it's very easy to just buy a book by an author that you're familiar with. So the idea was that you get a more authentic experience if you are reading a book that is written by someone in their own voice. I felt like I did want to just explain where that movement came from, and you should actually read some more about it. Just searching on the hashtag #ownvoices will give you a lot of information. Just wanted to share that with you.

[Brandon] This has been Writing Excuses. You're out of excuses, now go write.
[identity profile] mbarker.livejournal.com
Writing Excuses 11.24: Stakes!

From http://www.writingexcuses.com/2016/06/12/11-24-stakes/

Key Points: Raise the stakes does not mean make it more world shattering. What are stakes? Things that keep your characters from walking away from conflicts. What keeps people fighting when they have conflicting goals? What is important enough to keep them in the game? Often, the difference between a hero and a villian is the magnitude and type of stakes they are fighting over. To raise the stakes, don't add more villians or explosions, make it more personal for the main character. The destruction of the galaxy? Who cares? Saving the life of a friend? We're with y'a! Make it personal, and make the audience care. Get into the character's head and show us why it matters, what motivates them. Be aware, we can empathize with a villian, or with thieves in a heist. Consider likability, competency, and proactivity! Build engagement with character sliders. Don't forget selflessness and sacrifice as ways to build empathy. The Cornwell trick? Establish two sets of stakes, put them in conflict, and let the main character sacrifice personal gain for greater good. Revenge stories and other selfish tales often use the B plot to get readers engaged. Or proactivity, especially with something that just won't quit getting in the way.

Rare? Medium well? No, no, stake him... )

[Brandon] All right. Let's go ahead and do a writing prompt. Mary, you have a writing prompt for us.
[Mary] Yeah. So I've been doing this thing where I write a story in 15 minutes for charity. I start it based on three things. An object, a character, and a genre. So. Listener. Look to your left. That is your object.
[Chuckles]
[Mary] Look at the bookshelf. The first book you see, that is your genre. And your character is your best friend. Now write a story for 15 minutes.
[Brandon] This has been Writing Excuses. You're out of excuses, now go write.

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