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Writing Excuses 12.28: Trimming and Expanding

From http://www.writingexcuses.com/2017/07/09/12-28-trimming-and-expanding/

Key points: Revision! Specifically, taking something short and making it long, or taking something long and making it short (expanding and trimming). Novels expand easily, as you add extra scenes. Expanding: longer version of itself, changing genres, layering in a second theme or plot. You can expand at different points in the writing process, early in the development or later during revision. Sometimes adding a second theme/through line/plot can make a story work! To bring out a theme that is already there, but needs more emphasis: Mechanically, every page or paragraph, check that the thematic element is brought out. To turn a short story into a novel, instead of simply making the scenes longer, try looking at the backstory and starting the story earlier -- then build to the climactic moment of the short story, and keep on going! Short story writers often have to learn to linger when writing long form. Readers bring different expectations to short and long forms: Long form is for the immersion, short form is a quick emotional punch in the gut. Cutting? Start by looking at cutting the beginning -- first chapter, each scene? Often we are writing our way into the scene/story, and that bit is not needed. Kill your darlings, especially prose that calls attention to itself. Try the 10% solution -- cut 10% everywhere to see what's really important.

ExpandSnip, snip, whoooosh! )

[Brandon] All right. We are going to stop for some homework, which is going to teach you to do this. Mary, you were going to?
[Mary] Right. So, this is a very brutal solution to cutting. This is when you've got something that you know is bloated. Like, your readers have gone, "I'm getting really drowsy here." Or "This goes on too long, it's a giant infodump." Take a look at it. Examine how many concepts are in that, that the story will completely break if they aren't there. So let's say that it's… That the onions must be sliced thinly, that your main character is wearing red, and there's a bowl of kimchi on the table. Those are the three concepts. You should be able to convey those three concepts in just three sentences, but you're using 11 sentences. So, trim that down to get it to three sentences. It's not that each concept must be in its own sentence, but you're not allowed anymore than three sentences.
[Wesley] Okay. I'm going to add to that. Go the opposite direction and say "The onions must be sliced thinly." Figure out how to expand that, without actually saying "The onions must be sliced thinly," and see what you can kind of expand out to, and kind of discover as you write around it.
[Brandon] Great. So there's your homework, guys. This has been Writing Excuses. You are out of excuses, now go write.

[identity profile] mbarker.livejournal.com
Writing Excuses 7.22: Microcasting

From http://www.writingexcuses.com/2012/05/27/writing-excuses-7-22-microcasting/

Key Points:
1. What are your thoughts on prologues? They can help, but they can also be a crutch. Good for epics, groundwork, setting.
2. Tips for using drawings to establish setting. Cheat! Implication and suggestion.
3. How do you name your characters? 1) Raid the spam box. 2) The Ever-Changing Book of Names. 3) behindthename.com and other online name sites
4. If you were doing it now, would you self-publish? Brandon: No. Big epic fantasies do better with mainstream. Mary: No. Too much overhead. Dan: No, prefer publisher.
5. How do you make sure powerful character isn't too strong? Weakness. Stakes outside powerful area.
6. How do you avoid too much foreshadowing? Write the book, and fix it in post.
7. How do you trim your fiction? Look for redundancy. Apply "In late, out early" to trim the start and end of scenes and chapters.
8. What about flashbacks? They can be useful. Make sure they are triggered by something the character is experiencing. Avoid flashbacks that kill forward motion.

"If you can make it work, it will work. Don't worry about rules telling you what you can and can't do." Dan
ExpandThe details... )
[Brandon] Okay. We are out of time. And... Oh, man, I had a good writing prompt, too.
[Mary] Write a flashback.
[Brandon] I guess, write a flashback. Sure, we'll do the easy one.
[Dan] In a prologue, with the mirror scene.
[Brandon] With the mirror scene.
[Howard] Oh, gosh.
[Brandon] This has been Writing Excuses. You're out of excuses, now go write.
[Howard] No, they have a very, very good excuse.
[Brandon] Yeah, I know. That was lame. I should've written it down. Oh, well.
[Howard] G'night, kids.
[identity profile] mbarker.livejournal.com
Writing Excuses Season Three Episode 11: Trimming

From http://www.writingexcuses.com/2009/08/08/writing-excuses-season-3-episode-11-trimming/

Key points: Trimming takes fat out so that you say what you need to say in the best possible way. Trimming improves the pace, makes writing snappy, and helps with clarity. Killing your darlings is not trimming. Trim repetition. Trim false starts. One strategy is section by section trimming -- 10% off each page or chapter, aka Jerry Pournelle's cut. Another approach is spot trimming, focusing on scenes, aka Dan and the Writing Group take a slice. Poetry teaches word usage. Trim adjectives, very, dialogue tags, navelgazing. Fix passive voice.
Expand1 Lightyear: 10 to the 13th KM. About 63,000 AU, which is the average distance from the Earth to the Sun. )
[Brandon] The writing prompt is you are going LARPing with Jerry Pournelle. If you have to look up LARP, go ahead. If you have to find out what Jerry Pournelle is like, go ahead and Google that. Write a story that involves you LARPing with Jerry Pournelle. Not Howard LARPing with Jerry Pournelle, because he has already appeared in too many of our writing prompts.
[Dan] Then cut it down to half size.
[Brandon] Jerry Pournelle or the story?
[Dan] Something in the story has to be cut in half.
[Howard] Do you have any idea how big a light year is?
[Brandon] This has been Writing Excuses. You are out of excuses, now go write.

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