[identity profile] mbarker.livejournal.com
Writing Excuses 7.49: Beginnings Revisited

From http://www.writingexcuses.com/2012/12/02/writing-excuses-7-49-beginnings-revisited/

Key points: "In late, out early" tells you the right place to begin. Also, you need to establish tone, setting, and character. Remember that beginnings are where you make promises to the reader. Prologues may work, but they are often overused. Orient the reader, don't disorient them. Your first scene needs motion, conflict, change. Make something happen. Establish a question and spark curiosity. Use something fascinating, interesting, geewhiz to pull the reader in. If it is not this world, quickly establish that it is another world. But remember learning curve. You don't have to try to tell us everything at once, just suggest and promise to come back later.
The curtain rises... )
[Brandon] All right. Well. We are out of time. Thank you all for listening. Our writing prompt this week is going to be... starting a new story. I want you to do each of these things. I want you to give us character, place. I want you to give us a sense of tone from the first sentence. All right. Do all of it in the first sentence. Character, place, sense of tone.
[Mary] I want you to do it in 13 lines, which is how many lines someone will see on your first page.
[Brandon] All right. This has been Writing Excuses. You're out of excuses, now go write.

[Brandon] Hi, all. This is Brandon. I hope you enjoyed today's episode. I just wanted to give you a special reminder. Audible has my novella, Legion, up for free in audiobook. So since they're a sponsor of the podcast, I thought I'd give an extra shout out. They actually have, if you go to www.audible.com/sanderson, they have Legion up there. You... there's no trial, there's no strings attached, you just get it for free. So I hope you guys go give it a listen if you haven't already. You can go to audible.com/sanderson to download it and give it a try.
[identity profile] mbarker.livejournal.com
Writing Excuses 7.9: Micro-Casting

From http://www.writingexcuses.com/2012/02/26/writing-excuses-7-9-microcasting/

Key points:

-- What do you do if you don't like any of your characters? Write a different book OR change the character so you do like them.
-- How do you keep your plot on track? Outline. Decide what you are going to accomplish.
-- Real names of places or pseudonyms? How well do you know the setting?
-- How do you fix plot holes? A big Band-Aid, trowel, and spackle. Figure out what's missing, and fill in the hole.
-- How do you know when to abandon a story? Finish it first. Are you retreading old ground? Is the book not up to your standard? Is it something you wouldn't want to read?
-- How do you make sure answers to mysteries are satisfying? Write backwards. Make sure the answer fulfills the promises you made. Make your red herrings interesting too.
-- What are amateurish language-level mistakes? Repeating the same adverb frequently. Overusing adverbs. Interrobang. Repetitive sentence structure. Excessive passive voice. Avoiding said.
-- What should a scene consist of? Setting, character, plot. A problem and resolution. One or more objectives. Something that cannot be accomplished in another scene. Watch for the can of scenic worms to be opened on a scene construction podcast someday!
-- What kind of bacon is best? Streaky bacon, fakin' bacon, samgyeopsal, smoked bacon underneath real maple syrup, rouladen, and tempeh.
-- Why is Schlock, a pile of poo, likable? Most of the time, he's expressing himself. That turns him into a person.
And for more details, press here! )
[Brandon] All right. We're going to use one of these as our writing prompt. How about this one? Do blog post and D & D play-by-post game posts count for nanowrimo? So in other words, do blog posts count for nanowrimo? So, you are going to do a narrative blog post. We'll just use this guy's thing. As your writing prompt, I want you to write a blog post in character for one of your characters, if they had a blog. Okay?
[Dan] Okay.
[Brandon] All right. This is been Writing Excuses. You're out of excuses, now go write.
[identity profile] mbarker.livejournal.com
Writing Excuses 6.20: Endings

From http://www.writingexcuses.com/2011/10/16/writing-excuses-6-20-endings/

Key points: Endings need to live up to the promise of the beginning. For the Hollywood formula, the protagonist has to overcome the antagonist, achieve his goal, and reconcile his relationship with the dynamic character. The closer these three happen to each other, the more emotional impact. Endings can fail due to lack of earlier groundwork, or because it's overstayed. Don't hold back on your ending, but raising the stakes doesn't always mean the fate of the universe. Root it in the wants, desires, and needs of the characters. The groundwork and promises of the beginning are a social contract fulfilled by the ending.
bringing down the curtain )
[Howard] What if I give a really good writing prompt?
[Dan] Okay.
[Lou] The writing prompt to end all writing prompts.
[Dan] Let's see it and we'll see.
[Howard] Take your least favorite recent movie. Take the first 15 minutes of your least favorite recent movie and write down what you believe the groundwork was that was laid. Now ignore the rest of the movie. Write the ending. I'm not playing how it should have ended with the... We should have just flown the eagles to Mordor. Do something tricky and sensible and wonderful with the first 15 minutes of your least favorite recent film.
[Dan] Excellent. Okay, we'll let you stay.
[Howard] Thank you. This has been Writing Excuses. You are out of excuses. Now, go write.
[identity profile] mbarker.livejournal.com
Writing Excuses 6.10: Orson Scott Card's M.I.C.E. Quotient

From http://www.writingexcuses.com/2011/08/07/writing-excuses-6-10-scott-cards-m-i-c-e-quotient/

Key points: MICE: milieu, idea, character, and event. Milieu: where the story takes place, starts when you enter the space, ends when you exit it. Stories about setting. Idea: start with a question, end when you answer the question. Character: start with a dissatisfied character, end with satisfaction or at least reconciliation. Event: something is wrong with the status quo, and ends with a solution. The MICE framework can be used at multiple levels, story, chapter, scene. Make promises and fulfill them. These can be nested, but close them in the order you open them. (Actually, reverse order -- MI ... IM).
Mickey... Donald DUCK! )
[Brandon] All right, then. So, writing prompt. I should probably make myself do it, because I haven't done it in a while. So, writing prompt is do this with a different fairytale. Let's pick one.
[Dan] MICE quotient for Red Riding Hood?
[Mary] Red Riding Hood's a good one.
[Brandon] Red Riding Hood. That's a great one. MICE quotient for Red Riding Hood. Try and write a page of each story of the different things for MICE. Okay.
[Dan] Sweet.
[Brandon] This has been Writing Excuses. You're out of excuses, now go write.
[identity profile] mbarker.livejournal.com
Writing Excuses 5.19: Fulfilling Promises to Your Readers

From http://www.writingexcuses.com/2011/01/09/writing-excuses-5-19-fulfilling-promises-to-your-readers/

Key points: Be careful of memorable, vivid phrases. Beware of a gorilla in a phone booth derailing your story. "Don't put a gorilla in the phone booth if that's not what your story is about." Watch out for "bait and switch" endings (aka deus ex machina). When the rest of the story has built expectations, don't yank the rug out from under them. Ask yourself, "Where am I spending my time?" That is making a promise. Beware deus ex wrench, things going wrong without foreshadowing. Cool twists may break promises, especially when they shift genres. Make sure you have enough foreshadowing, and that if you put a gorilla in the phone booth, you let him call Chekhov by the end.
gorilla costumes? )
[Brandon] This has been Writing Excuses. You're out of excuses... except we need a writing prompt. Howard?
[Howard] OK. Um... promises, promises, promises. All right.
[Brandon] Oh, I made you do it the other time. So you have to do it again. Dan'll do it next time.
[Howard] No, we'll be fine. I'll get this. I just... it's right here on the tip of my tongue. Think of all the times that... in grade school, you or a friend of yours said something and said, "I promise." Any time that a child has made a promise in that sort of a context. Pick a really good... and that usually means in child context, stupid promise that a kid has made. Now use that as the leaping off point for a promise that you're going to keep in a book.
[Brandon] OK. This has been Writing Excuses. You're out of excuses, now go write.
[Howard] I'll be your best friend.
[identity profile] mbarker.livejournal.com
Writing Excuses Season Four Episode 27: Major Overhauls to Broken Stories

From http://www.writingexcuses.com/2010/07/11/writing-excuses-4-27-major-overhauls-to-broken-stories/

Key Points: If you are a new writer, just keep writing! Writing group, editor, agent, your own judgment will usually tell you when a book needs work. Identifying that something is wrong and learning writing triage to pick the right thing to fix take lots of practice. Some possible solutions: rearranging things, adding characters or scenes, removing characters or scenes, changing the setting... You can't do everything in one draft -- focus on fixing certain things.
Leave some breadcrumbs... )
[Brandon] Okay, before this goes any further, I'm going to end it and give you your writing prompt. Writing prompt this week is to take a story that you have written before and take one throwaway comment or throwaway concept somewhere in that story... find something that you didn't mean to be important at all. I want you to instead read write that scene, rewrite that chapter, so that that idea becomes the major focus of it, and see what happens.
[Dan] Cool.
[Brandon] All right. This has been Writing Excuses. You're out of excuses, now go write.
[identity profile] mbarker.livejournal.com
Writing Excuses Season Two Episode 29: How Not to End Your Book

From http://www.writingexcuses.com/2009/04/26/we-talk-about-how-not-to-end-books-with-the-goal-of-helping-you-fix-them/

Key points: good endings go beyond the reader expects. You need to fulfill promises that you made in the first part of the book. Get help identifying promises that you have made. Avoid the third act Hollywood wimpout -- big action set pieces are not automatically good endings. A book in a series should fulfill its promises while opening up new problems for the future. Make your plots fit your books first. Bad endings usually mean bad foreshadowing. Revise to fit.
the meat )
[Brandon] This has been Writing Excuses. Writing prompt?
[Dan] Write an ending in which everybody dies and it works.
[Brandon] Start your book with an ending where everyone dies. This has been Writing Excuses. Thanks for listening.
[identity profile] mbarker.livejournal.com
Writing Excuses Season Two Episode Six: Endings

From http://www.writingexcuses.com/2008/11/16/writing-excuses-season-2-episode-6-endings/

Key points: endings should be satisfying -- fulfill your promises. Fulfill the expectations of the story, break the expectations of the formula. Gather up all the little plot ribbons and tie them in a bow. "I always do have my ending in mind when I start, but I don't always end up with the ending that I started with."
Yackity-yack )
[Dan] we need a writing prompt. Here's a writing prompt. Take whatever you're working on right now, look at that ending that you've got planned, then think of two other potential endings for that same thing.
[Brandon] and then write all three of them.
[identity profile] mbarker.livejournal.com
Writing Excuses Episode 4: Beginnings
http://www.writingexcuses.com/2008/03/02/writing-excuses-episode-4-beginnings/
starring Brandon Sanderson, Howard Tayler, and Dan Wells
Ze bits and pieces . . . )
The short form: don't try to write your first line first. Do make sure that your first line makes a promise that the rest of your book fulfills. Get to character and conflict fast.

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