[identity profile] mbarker.livejournal.com
Writing Excuses 5.38: Dialog with John Scalzi

From http://www.writingexcuses.com/2011/05/22/writing-excuses-5-38-dialog-with-john-scalzi/

Key points: Read outside your genre, looking specifically at dialogue. Understand that dialogue is not speech, it is a speech-like process to convey information in a story. Dialogue is a caricature of speech. Watch movies. Make dialogue feel real, but not be real. Read your dialogue out loud. Speak it! Be merciless with your dialogue. Practice reducing real conversations to tweetable versions.
Talk, talk, talk... )
[Brandon] John, we're going to force you to give us a Writing Prompt. It must be brilliant, and articulate, and interesting, and make all of our listeners want to become even better writers. This is my gift to you as my nemesis.
[John] Such a gift it is. Okay. Since we have been talking about dialogue, I think that we should have a Writing Prompt that is about dialogue. I believe what I want people to do is have a dialogue between somebody ordering at a drive-through, and someone taking the order. But the person taking the order at the drive-through is also currently being held up at gunpoint.
[Brandon] Oh. That's a really good Writing Prompt. I was hoping you'd flub that. Scalzi!
[John] And this is why I am your nemesis.
[Brandon] Yet again.
[Howard] Well, ladies and gentlemen. Thank you very much. This was recorded live at Penguicon. A little noise from the audience.
[Noise]
[Howard] Everybody, you're out of excuses.
[Brandon] Now go write.
[identity profile] mbarker.livejournal.com
Writing Excuses Season Two Episode Four: Viewpoints, Plot Twists, Etc.

from http://www.writingexcuses.com/2008/11/02/writing-excuses-season-2-episode-4view-point-plot-twists-and-being-a-part-time-writer-with-eric-james-stone/

A question-and-answer session at Mountain con with Eric James Stone

Key points: advice for balancing work, writing, and other necessities of life? Set aside some time to write each day, treat it as a job, and find a balance that keeps you sane. It's gonna be hard. Deadlines are necessary. Set them, and reward yourself. Plot twists need foreshadowing and smoke and mirrors. Avoid self-description by staring in a mirror, but do sneak in what you can.
mucho gusto )
[identity profile] mbarker.livejournal.com
Writing Excuses Episode 24: Research

http://www.writingexcuses.com/2008/07/20/writing-excuses-episode-24-research/

Key points: Do just enough research to get by. Be curious, but don't overdo it, stick with a couple of key details, not everything you found. Think it through -- after you do the research, what does your specific situation do to that? Don't be afraid of Dr. Google and Wikipedia.
What's Inside? )
Writing prompt: write a scene in which a character is performing an activity about which you know nothing. Pick an activity about which you know nothing, go to Wikipedia and read up on it, and then write the scene. [I know exactly what you're thinking. I'm not going to say it. I'm not going to go there.]

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