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Writing Excuses 11.14: The Element of Adventure

From http://www.writingexcuses.com/2016/04/10/11-15-the-environment-with-l-e-modessit-jr/

Key Points: In adventure, the question is "Can I do this?" Pushing your limits, trouble you choose. Thrillers, on the other hand, have an outside threat coming after you. Similarly, wonder is the thrill of seeing something, while adventure is the thrill of doing something. Adventure is often based on the milieu. The challenge is usually a physical idea, whereas the idea story is usually a mental challenge. Adventure stories are often set pieces, doing amazing things, strung together. Adventure usually makes the reader think "I want to go there and do that!" Main character is often an outsider. Take a thriller, lighten the tone, and you will get an adventure. Thriller, survival; adventure, cool things to do. Key to writing adventure is take a competent hero to the edge of their competency, and a list of set pieces, amazing things to do. Make the explosions bigger! Conflict in an adventure story tends to be external. Add improvisation, and avoid a level playing field.

Run, jump, and... )[Brandon] Alright. This has been a great discussion. We will dig into this again in a couple of weeks. First, I want to give you some homework. Dan. You have our homework this week.
[Dan] Alright. Your homework this week. You are going to do what Howard's editor made him do. Take an expository scene. Whether that is an introduction to a character or dialogue between two characters, something where you're feeding us important information. But then set it during something really exciting, something thrilling. The room is falling apart. You're being attacked. You're running away from something. Whatever that is. Make us have an adventure during an exposition.
[Brandon] This has been Writing Excuses. You're out of excuses, now go write.
[identity profile] mbarker.livejournal.com
Writing Excuses 11.6: The Element of Wonder

From http://www.writingexcuses.com/2016/02/07/11-06-the-element-of-wonder/

Key Points: Sensawonda? Oh, sense of wonder! A 15 story tall ship! A giant promenade in the middle of the ocean? An aft balcony, with a new sunrise and location every morning! New, strange, and amazing. That's so cool. How do you get there? A spaceship the size of a moon. "That's no moon." Context, the POV reaction, the reader reaction. Direct the reader's attention with the character's attention. Basking in the moment of awe. Give the character, and the reader, time. Foreshadow (aka context) and then reveal. Pacing. Don't rush, let the character's attention linger on it, walk through the fine details, enjoy it. The sense of wonder isn't always big, sometimes it's something tiny. Also, there's a sense of engagement, of wish fulfillment, with the sense of wonder. It's not just wonderful, we get to do something with it!

Fireworks, sunsets, glory! )

[Brandon] We are out of time with this one. So we want to give you some homework.
[Dan] All right. Your homework today is that you are going to apply a sense of wonder to something for us. But we want you to do it with something that is relatively small and ordinary. Something maybe just by your desk, something in your house as you look around. Spot an object, and then describe it in such a way that the reader will get a sense of wonder.
[Brandon] This has been Writing Excuses. You're out of excuses, now go write.

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